This Picture's Thousand Words: The Los Angeles City and County Jail, ca. 1870s

A stereoscopic photograph taken by Henry T. Payne in the first part of the 1870s from a hill takes in a panoramic view of a growing Los Angeles.  The town was in the midst of its first significant boom, with the population rising from about 6,000 in the 1870 census to approximately 15,000 within five years.  The first railroads came to town during that period, as did streetcars, banks, the first high school, a public library and a host of other additions and innovations.

What had not changed was the condition of the city and county jail, which has been often discussed on this blog.  In 1853, the city and county purchased the Rocha Adobe, the former townhouse of the family that once owned the Rancho La Brea west of town, from pioneer merchant Jonathan Temple.  The house, a long, narrow structure fronting the west side of Spring Street south of Temple and north of First, became an all-purpose municipal building, housing city and county offices and the courthouse.

In 1854, in the expansive courtyard behind the adobe, a two-story jail was constructed.  The first floor was adobe and used as the city lockup, while the second story was constructed of brick and housed county prisoners.  Grand jury reports and newspaper articles in succeeding years generally alternated between noting unclean, unsanitary and unhealthful conditions in the facility and stating that the jail was in decent repair, working order and cleanliness.  It is possible that much of this was dependent on the good offices of the jailer.

The county courthouse moved in the early 1860s just a bit north on Spring Street to Jonathan Temple's Market House, a two-story brick structure topped by a cupola with a clock on it and which failed, during a poor economy, as a commercial building with leased market stalls.

This detail of a stereoscopic photograph taken by Henry T. Payne in the first half of the 1870s shows the Market House at the top left, which served as the county courthouse and city hall from 1861 to  the late 1880s.  At the lower right is the Rocha Adobe, the courthouse from 1853 to 1861 and in its courtyard, closer to where Payne took the image on a hill to the west, is the two-story city and county jail, used until the mid-1880s.  The street at the lower right was known as Court Street and Jail Street, until the name Franklin was bestowed on it--this was used by Payne in his titling.  Spring Street runs just above the Rocha Adobe and Main just past the Market House/Courthouse.

The jail, however, remained in its location in the courtyard of the Rocha Adobe, which became a police station house.  In 1863, a mass lynching of five men (three American/European and two Latino) took place on the front veranda of the adobe.  Eight years later, during the horrors of the Chinese Massacre of 24 October 1871, several Chinese men were being led towards the jail, or were alleged to have been, when they were diverted to a local corral, used for the lynching of Michel Lachenais the previous December, and hung there.

The structure remained as the city jail even as Los Angeles experienced its first significant period of growth during the late 1860s to mid 1870s.  Then, after almost a decade of stagnation from 1876-1886, a renewed boom, usually denoted as the Boom of the Eighties, ensued after the completion of the Atchison, Topeka and Santa Fe transcontinental railroad link directly to the city in 1885.

With the Rocha Adobe jail over thirty years old and woefully inadequate even in some of its earlier years, it was time for a change.  A new jail was constructed nearby and opened in late 1886.  The adobe remained for a time, serving as a commercial structure and a well-known image of the building shows a real estate and insurance business and a railroad ticket office in the adobe.

As for the photo, it was taken from that hillside location looking east.  At the far left is the Market House, which remained the county courthouse and city hall until new facilities were built in the late 1880s, during the great boom of that era.  Main Street runs left to right behind that building and Spring Street in front of it.  The clock read 11:45 a.m., probably a good time to get a photo while the sun was off to the right or south!

The Rocha Adobe is the long, low structure at the lower right with what, in the 1870s was known as Franklin Street coming down from Payne's vantage point to meet Spring Street just to the right of the adobe.  In the courtyard behind the adobe and closer to Payne, is the two-story jail.  A variety of smaller structures and lean-tos are in the yard, as well, which looks to be in a generally well-kept a condition.

This photo was taken at a time, as mentioned above, when Los Angeles was in transition from a relatively isolated frontier town to a small, but growing city.  The image reflects that, as newer brick structures and some wooden ones, as well, are in the mix along with adobe buildings.  There were few distinctions between residential and commercial areas at the time, though clearly the latter were becoming more predominant in this part of town.  This was because the area south of Temple Street, along Main and Spring, was becoming the commercial district of the city.

Payne, an Illinois native who came to Los Angeles from Santa Barbara in the late 1860s, bought the photo studio and inventory of William M. Godfrey and reissued many of Godfrey's photos under his name, as well as took a great many images through the 1870s.  He was a partner with Thomas Stanton for a period in the 1880s and later worked as a journalist in San Francisco, before returning to the Los Angeles area, dying in Glendale in the early 1930s in his eighties.